Ian Grieve Portfolio
Resistance, 2026.
Oil on canvas. 36 x 48 inches.
What We Know is Provisional, 2023.
Oil on multiple panels. 72 x 58 inches.
Papillon, 2026
Oil on canvas. 12 x 9 inches.
The Wanderer, 2026
Oil on wood panel, 24 × 18 inches.
Possibility, 2026.
Oil on wood panels. 24 x 18 inches.
Cash and Betty, 2026.
Oil on canvas. 40 x 30 inches.
Soak, 2024.
Oil on canvas. 64-1/2 x 30-1/2 inches.
Shenanigans, 2026
Graphite on paper, 12 × 9 inches.
The Basket, 2026
Graphite on paper, 12 × 9 inches.
…But I’m Holding On. 2023.
Oil and wax on reclaimed wood. 12 x 12 inches.
Student Work Portfolio
Sydney Collings
Graphite and ink on paper, 33 x 56 inches.
ASDR 5300, Advanced Drawing, Spring 2024.
Prompt: Bird in the Hand: Figure–Object Drawing Assignment
Create twelve drawings of your hand interacting with an object, each in a unique position. Combine these drawings into a single large surface, then create an enlarged drawing of your hand and the object across the entire composition, working from observation.
Josh Rhodenbaugh
Ink on paper. 24 x 30 inches.
ASDR1300 Intro to Drawing, Fall 2022.
Prompt: Draw fabric, then transfer your drawing to a larger paper using the grid system. Transfer each square of the grid independently, covering and not looking at the other parts of the grid.
Harold Zhang
Ink on paper, 7 x 10 inches each
ASDR3300 Intermediate Drawing, Spring 2025
Prompt: Create a series of narrative drawings that distill key moments or scenes into high-contrast black-and-white compositions. Focus on capturing the essence of the scenes through light, shadow, and compositional framing. Consider how negative space impacts each composition.
Sage Thompson
Gouache, acrylic, and graphite on paper.
17 x 42 inches, 4 x 4 inches each
ASAG1308 Narratives (Foundations course), Spring 2024
Prompt: Routine as Narrative
Students translate a personal daily routine into a narrative sequence across media. They begin with a written reflection, they then document the routine as a short edited video video with sound, then translate key moments into a sequence of images that are repeated and rearranged to generate multiple narrative possibilities. Students explore how meaning shifts through editing, repetition, and material decisions.
Kaitlyn Gonzales
Paper and ink on paper.
7 x 5-1/2 inches (paper sculpture), 17 x 11 inches (drawing)
ASAG1308 Narratives (Foundations Course), Spring 2024
Prompt: Make a sculpture expressing an emotion using only white paper. Light it in a way that produces shadows. Then, make a “field drawing” with notes as if you found the emotion in the wild.
Zakiya Caldwell
Oil on canvas, 16 x 20 inches.
ASPT 1300 Intro to Painting, Fall 2023
Prompt: Observational self-portrait.
Emery Thaggard
Dog, Oil on canvas. 16 x 20 inches.
ASPT1300 Intro to Painting, Spring 2025
Prompt: Color theory (optical mixing, adjacent color, color as value). Using close observation, carefully mix and apply each square as an individual color without blending.
Sophie Kim
Botanical ink on paper, 24 x 36 inches.
ASDR 3300 – Intermediate Drawing, Fall 2024
Prompt: Create ink using foraged botanical materials, then use the ink to draw the plants from which the ink was made
Ellen Aughenbaugh
Charcoal on paper, 18 x 24 inches.|
ASDR3300 Intermediate Drawing, Fall 2024
Prompt: Foreshortened figure drawing.
Jonathan Havard
Charcoal on paper. 48 x 84 inches.
ASDR 3300 Advanced Drawing, Spring 2023
Prompt: Create a dramatic perspective drawing that explores extreme spatial distortion. Construct a composition that curves, tilts, or collapses space to emphasize depth, scale, and movement. Focus on converging lines, overlapping planes, and tonal contrast to guide the viewer’s eye through the composition and create a sense of immersion or disorientation.
